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Esplanade Presents
11 Apr 2025, Fri, 7.30pm
12 Apr 2025, Sat, 4pm
13 Apr 2025, Sun, 4pm
(Intermission: 1 x 15mins)
Singtel Waterfront Theatre at Esplanade
Photo Credit: Chris Parkes
[Image description] Nadenh Poan, a Cambodian male wheelchair dancer caught in a gravity defying headstand. A haze of golden light spills around him as he throws his left arm forwards to the camera, balancing only on the side of his head and right arm, his lightweight black manual chair lifted above him. He wears a light gold satin corset with braces that he stretches and extends away from him, wrapping one around his extended left arm.
Photo Credit: Chris Parkes
[Image description] An action shot of a dance scene. A male wheelchair dancer with brown skin, is lying sideways on a light-coloured floor. His wheelchair is still strapped on his waist, lying on the floor with him. His arms are raised off the floor, and he is looking intently at his left hand. He is in control. Other dancers are in the background in blurry motion shots, all on the floor making shapes that are reflective of the wheelchair dancer's pose but all different in their own ways. A female wheelchair dancer with dark skin and black hair is blurry but more visible to the right of the image. She is facing away from the camera, tipping backwards, her head going over the back rest of her chair. The image has a golden colour with atmospheric haze and black backdrop. The dancers are all in stylised tight costumes that has a golden burnished colour.
Photo Credit: Chris Parkes
[Image description] A male wheelchair dancer and a female East Asian dancer are on the floor in an embrace. The female dancer is on her back, and the wheelchair dancer is perpendicular to the other dancer, but upside down as if in a head stand. His faced away from the camera. The East Asian dancer has her arms wrapped gently around the other dancer's back as if to support his headstand. Her eyes closed; hair draped gently on the floor. The image juxtaposes serenity and tension. The still wheel of the wheelchair is suspended in mid-air, being a focal point of this image. The dancers are on a light-coloured floor in light golden coloured costume. There is an amber light coming from behind the dancers cutting through the haze cast against the pitch-black backdrop.
Photo Credit: Chris Parkes
[Image description] Nadenh Poan, a Cambodian male wheelchair dancer caught in a gravity defying headstand. A haze of golden light spills around him as he throws his left arm forwards to the camera, balancing only on the side of his head and right arm, his lightweight black manual chair lifted above him. He wears a light gold satin corset with braces that he stretches and extends away from him, wrapping one around his extended left arm.
Photo Credit: Chris Parkes
[Image description] An action shot of a dance scene. A male wheelchair dancer with brown skin, is lying sideways on a light-coloured floor. His wheelchair is still strapped on his waist, lying on the floor with him. His arms are raised off the floor, and he is looking intently at his left hand. He is in control. Other dancers are in the background in blurry motion shots, all on the floor making shapes that are reflective of the wheelchair dancer's pose but all different in their own ways. A female wheelchair dancer with dark skin and black hair is blurry but more visible to the right of the image. She is facing away from the camera, tipping backwards, her head going over the back rest of her chair. The image has a golden colour with atmospheric haze and black backdrop. The dancers are all in stylised tight costumes that has a golden burnished colour.
Photo Credit: Chris Parkes
[Image description] A male wheelchair dancer and a female East Asian dancer are on the floor in an embrace. The female dancer is on her back, and the wheelchair dancer is perpendicular to the other dancer, but upside down as if in a head stand. His faced away from the camera. The East Asian dancer has her arms wrapped gently around the other dancer's back as if to support his headstand. Her eyes closed; hair draped gently on the floor. The image juxtaposes serenity and tension. The still wheel of the wheelchair is suspended in mid-air, being a focal point of this image. The dancers are on a light-coloured floor in light golden coloured costume. There is an amber light coming from behind the dancers cutting through the haze cast against the pitch-black backdrop.
Photo Credit: Chris Parkes
[Image description] Nadenh Poan, a Cambodian male wheelchair dancer caught in a gravity defying headstand. A haze of golden light spills around him as he throws his left arm forwards to the camera, balancing only on the side of his head and right arm, his lightweight black manual chair lifted above him. He wears a light gold satin corset with braces that he stretches and extends away from him, wrapping one around his extended left arm.
Photo Credit: Chris Parkes
[Image description] An action shot of a dance scene. A male wheelchair dancer with brown skin, is lying sideways on a light-coloured floor. His wheelchair is still strapped on his waist, lying on the floor with him. His arms are raised off the floor, and he is looking intently at his left hand. He is in control. Other dancers are in the background in blurry motion shots, all on the floor making shapes that are reflective of the wheelchair dancer's pose but all different in their own ways. A female wheelchair dancer with dark skin and black hair is blurry but more visible to the right of the image. She is facing away from the camera, tipping backwards, her head going over the back rest of her chair. The image has a golden colour with atmospheric haze and black backdrop. The dancers are all in stylised tight costumes that has a golden burnished colour.
Photo Credit: Chris Parkes
[Image description] A male wheelchair dancer and a female East Asian dancer are on the floor in an embrace. The female dancer is on her back, and the wheelchair dancer is perpendicular to the other dancer, but upside down as if in a head stand. His faced away from the camera. The East Asian dancer has her arms wrapped gently around the other dancer's back as if to support his headstand. Her eyes closed; hair draped gently on the floor. The image juxtaposes serenity and tension. The still wheel of the wheelchair is suspended in mid-air, being a focal point of this image. The dancers are on a light-coloured floor in light golden coloured costume. There is an amber light coming from behind the dancers cutting through the haze cast against the pitch-black backdrop.
★★★★★
“There are certain works that permanently alter one’s perception of the world; Lived Fiction is one such creation.”
– A Young(ish) Perspective
★★★★
“Lived Fiction is full of wit, sophistication and spellbinding movement. Over and over again, its intensity and invention take you by surprise.”
– The Observer
“As the performance finishes, I feel I have experienced something with everyone here. For the first time, I’ve been given my window into dance.”
– Caroline Butterwick for The Guardian. Caroline Butterwick is a freelance journalist who is visually impaired.
Lived Fiction | Putting access and inclusion at the heart of its work
For two decades, the UK’s Stopgap Dance Company has been an exemplar of diversity and inclusion on stage, using dance as a movement for change. As a global leader of inclusive dance, Stopgap strives to not only showcase Disabled talent, but also enable performances to be accessible to as many and diverse audiences as possible. With this in mind, Stopgap presents Lived Fiction, a performance with the potential to shape the future of experiencing contemporary dance from multiple perspectives.
A manifestation of Stopgap’s 20 year history, Lived Fiction is an atmospheric, multisensory work that blends sensual choreography with innovative sound and visual design with accessibility features creatively weaved in. This includes evocative audio description, as well as projection art and audio captioning—a groundbreaking production where access features for Deaf or hard of hearing, blind or low vision, Disabled and neurodivergent audiences have been intricately intertwined throughout the performance.
Featuring seven performers with and without disabilities, the production spotlights each performer’s experiences and stories through movement and spoken word. Across two acts, solo, duet and group performances unfold, reflecting each individual’s relationship with dance and movement, their lived realities and with one another. Earnest and contemplative with elements of playfulness, this dance work resonates in its compassion for the human condition, empowering audiences to experience dance and life itself, through a myriad of different perspectives.
Lived Fiction invites you to come participate in this microcosm of an inclusive world, where everyone can revel in the joy of a shared future that is rich with the enterprise, potential and the power of diversity.
Creative Access
We would like both the performers and the audience to gain a shared-experience and revel in the joy of different people cohabiting the theatre space. Lived Fiction is a collaboration between artists and creatives who are Deaf, Disabled, neurodivergent and non-disabled, and equipped with the following access features:
Assistive Listening (AL)
Audio Captioning (CAP)
Audio Description (AD)
Relaxed Environment (RE) performances
A 30-min Touch Tour before each performance
Post-show talk after each performance, with Singapore Sign Language (SgSL) interpretation
Details on what to expect in Lived Fiction can be found in the Visual Story, Sonic Story and What to Expect video. Here are some things which may be surprising during the performances:
Dancers will be in the performance space as the audience enters.
There are some bright lights and loud music in small sections, these are warned about through the audio description.
One of the performers approaches the audience (seated in the front few rows) and offers touch – a handshake. Another performer goes to the auditorium steps, and at one point sits amongst the audience, offering the opportunity to converse together.
During the 15-min intermission, some of the performers remain in the space and can be approached to talk to.
In the second half of the performance, there is a section using some haze/smoke effect.
This programme is presented as part of da:ns focus – EveryBody, a weekend of dance which expands the ideas and conventions of the perfect dancing body by presenting high quality works and experiences focusing on inclusivity, diversity and participation, where we encourage everybody and every body to experience dance.
Accessibility
Assistive Listening Relaxed Environment Audio Description Captioning
There will be a post-show talk after each performance, with Singapore Sign Language (SgSL) interpretation.
A 30-min Touch Tour will take place before each performance (Tour starts 1 hour before performance start time; recommended for ticket holders who are blind or have low vision, but may also be useful for neurodivergent audiences. Limited capacity; available as an add-on option at the point of ticket purchase).
Haze/smoke effects will be used in this performance.
Lived Fiction was devised and written with Stopgap’s Deaf, Disabled, neurodivergent and non-disabled creatives. The process was conceived and facilitated by Stopgap’s Co-Artistic Director Lucy Bennett.
Cast and Creatives
Christian Brinklow, Monique Dior Jarrett, Emily Lue-Fong, Jannick Moth, Lily Norton (Audio Describer), Nadenh Poan, Hannah Sampson and Dan Watson (Voice of DAN)
Director & Co-Writer
Lucy Bennett
Access Artist & Co-Writer
Lily Norton
Rehearsal Director
Amy Butler
Composer & Sound Designer
Dougie Evans
Digital Artist & Creative Captions
Ben Glover
Lighting Design
Jackie Shemesh
Costume Design
Ryan Dawson Laight
Props Designer and Builder
Colin Holden
Access Guides
Lauren Trim, Mignon Riggs
Production & Stage Manager
Ethan Duffy
Technical Stage Manager
Stella Kailides
Production Manager
Emma Henderson
Technical Manager
Francois Langton
Lighting Associate
Joe Hornsby
Costume Associate
Rosie Whiting
Project Manager
James Greenhalgh
Access Workers
Abbie Thompson, Laurel Flatley
Executive Producers
Sho Shibata & Lucy Glover
Feedback and Focus Group Support for Creative Access
Kelsie Acton (Battersea Arts Centre), Angela Bettoni, Lucy Clark, Martin Glover, Andrew Loretto, Anne McCarthy, Lesta Woo, Sofia Young-Santamaria, Ada Eravama
Supporters
Lived Fiction was developed as part of the research project “DANCING: Protecting the Right to Culture of Persons with Disabilities and Enhancing Cultural Diversity through European Union Law: Exploring New Paths” led by Delia Ferri, Professor of Law at Maynooth University, Ireland. The project received funding from the European Research Council under the European Union’s Horizon 2020 Research and Innovation programme (grant agreement number 864182).
Lived Fiction was created with additional support from:
Arts Council England, DanceEast, Dance Ireland, Leche Trust, The Point – Eastleigh, University of Surrey.
Lived Fiction was devised and written with Stopgap’s Deaf, Disabled, neurodivergent and non-disabled creatives. The process was conceived and facilitated by Stopgap’s Co-Artistic Director Lucy Bennett.
Cast and Creatives
Christian Brinklow, Monique Dior Jarrett, Emily Lue-Fong, Jannick Moth, Lily Norton (Audio Describer), Nadenh Poan, Hannah Sampson and Dan Watson (Voice of DAN)
Director & Co-Writer
Lucy Bennett
Access Artist & Co-Writer
Lily Norton
Rehearsal Director
Amy Butler
Composer & Sound Designer
Dougie Evans
Digital Artist & Creative Captions
Ben Glover
Lighting Design
Jackie Shemesh
Costume Design
Ryan Dawson Laight
Props Designer and Builder
Colin Holden
Access Guides
Lauren Trim, Mignon Riggs
Production & Stage Manager
Ethan Duffy
Technical Stage Manager
Stella Kailides
Production Manager
Emma Henderson
Technical Manager
Francois Langton
Lighting Associate
Joe Hornsby
Costume Associate
Rosie Whiting
Project Manager
James Greenhalgh
Access Workers
Abbie Thompson, Laurel Flatley
Executive Producers
Sho Shibata & Lucy Glover
Feedback and Focus Group Support for Creative Access
Kelsie Acton (Battersea Arts Centre), Angela Bettoni, Lucy Clark, Martin Glover, Andrew Loretto, Anne McCarthy, Lesta Woo, Sofia Young-Santamaria, Ada Eravama
Supporters
Lived Fiction was developed as part of the research project “DANCING: Protecting the Right to Culture of Persons with Disabilities and Enhancing Cultural Diversity through European Union Law: Exploring New Paths” led by Delia Ferri, Professor of Law at Maynooth University, Ireland. The project received funding from the European Research Council under the European Union’s Horizon 2020 Research and Innovation programme (grant agreement number 864182).
Lived Fiction was created with additional support from:
Arts Council England, DanceEast, Dance Ireland, Leche Trust, The Point – Eastleigh, University of Surrey.
Stopgap Dance Company
Website | Instagram | Facebook | X | YouTube
Stopgap Dance Company is driven by a diverse creative team who uses dance as a movement for change.
The company’s mission is to create an inclusive world where diversity is not just accepted but pursued, a world where no one is limited by prejudice against Deaf, Disabled, or neurodivergent people.
Working with an artform shaped by human touch and energised by the spark of connectivity, their work demonstrates the compelling power of diversity and inclusivity. Together, they move to create a remarkable experience that transforms society’s perceptions of difference and dismantle the inequity of privilege, in dance and in all aspects of living, collaborating, and creating together as humans.
Stopgap is both focused on and born out of the company’s rigorous investment in equity and inclusive culture. They are committed to removing barriers to dance, nurturing the talents of dancers born into any body and any mind. In coalition with a wave of organisations, they move towards a better representation of diversity on our stages and in society.
The company is a global leader of Disability access in dance and continuously examines best practice. They actively advocate for the industry and the wider world to become more inclusive.
Assistive Listening
Assistive listening system is available for this venue. Hearing aid users with a Telecoil-enabled programme can benefit from the system provided. Please arrive at the venue 30 min before the performance so we can assist with the setup.
Relaxed Environment
This is a Relaxed Environment (RE) performance. Perfect for anyone who benefits from being able to make a noise, leave and return to their seat or access the toilets during the performance. No modifications are made to the performance.
Audio Description
In an audio described performance, the performance is verbally described to audiences throughout the performance.
Captioning
Captioning is available for this performance.
Assistive Listening
Audio Description
Captioned
Relaxed Environment
11 Apr 2025, Fri
7.30pm
There will be a post-show talk with Singapore Sign Language (SgSL) interpretation.
12 Apr 2025, Sat
4pm
There will be a post-show talk with Singapore Sign Language (SgSL) interpretation.
13 Apr 2025, Sun
4pm
There will be a post-show talk with Singapore Sign Language (SgSL) interpretation.
Standard | Students, NSFs & Seniors |
PWD (Limited) |
|
Price | $40 | $32 | $20 |
Esplanade&Me Specials
Early Bird (6 – 19 Feb 2025, limited tickets)
Black: 20% savings
White: 15% savings
Discover: 15% savings (Min. of 2 tickets)
From 20 Feb 2025, 10am
Black: 15% savings
White: 10% savings
Discover: 10% savings (Min. of 2 tickets)
Applicable to Standard tickets only. Terms and Conditions apply.
11 Apr 2025, Fri, 7.30pm
Standard Ticket
Concession Ticket
Esplanade&Me Specials
Optional Add-on: Touch Tour (30 min)
12 Apr 2025, Sat, 4pm
Standard Ticket
Concession Ticket
Esplanade&Me Specials
Optional Add-on: Touch Tour (30 min)
13 Apr 2025, Sun, 4pm
Standard Ticket
Concession Ticket
Esplanade&Me Specials
Optional Add-on: Touch Tour (30 min)
UOB Card Promo
10% savings (Min. 2 tickets, limited tickets)
Applicable to Standard tickets only.
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