Catch the live auditions for Baybeats Budding Bands!
3 & 4 Aug 2024, Sat & Sun
Esplanade Annexe Studio
The second round of auditions for the Baybeats Budding Bands programme puts the shortlisted bands to the test in a live setting with an audience. The bands will be assessed not only on their compositions and musicality, but their stage presence and performance skills as well.
Audiences are welcome to watch these auditions, which are free to attend by registration. This is a chance for the public to show their support for the bands and to discover new Singapore artists.
Day 1: 3 Aug, Sat
5.45pm – 6.15pm
Bear The Remedy
Bear The Remedy, a dynamic alternative rock band, has been writing music since 2021 and released their first songs on Spotify in 2024. Known for not resting on a single genre, they blend heartfelt and insightful lyrics with rich melodies and rhythms across various styles.
6.30pm – 7pm
Maneloren
Maneloren is an indie/alt rock band that boasts a wide range of sonic flavours, ranging from lush indie textures, new wave electronics, and rocking riffs. The band draws influence from acts such as Foals, Angels & Airwaves and Bombay Bicycle Club.
7.15pm - 7.45pm
Pathetic Ordinary
Pathetic Ordinary is a dynamic five-piece easycore/pop-punk band, known for their heartfelt lyrics on friendship and heartbreak. They have steadily garnered attention in the music scene since 2018, when they released their debut EP Forget It, I’m in a Better Place. In 2021, they secured Rock Artist of the Year at the Bandwagon Youth Music awards. They aim to redefine the pop-punk genre and make a lasting impact on Singapore’s music scene.
8pm – 8.30pm
Heaven Brought Me Hell
Heaven Brought Me Hell is a progressive technical death metal band from Singapore that blends symphonic orchestrations, technical drumming and guitar riffs with heavy-hitting death metal vocals to create a sonic introspective journey.
Day 2: 4 Aug, Sun
5pm – 5.30pm
WOOD
WOOD was a band formed to pass a music class. Now they are a multi-faceted, multi-genre collective of spirited and fun-loving creatives, who aim to make music that moves you.
5.45pm – 6.15pm
The Storms Upon Us
The Storms Upon Us is a two-piece garage rock band from Singapore, formed in 2018. The duo consists of Nathan Mark (vocals, lead guitar & harmonica) and Teo Kai Wen (drums). Their electrifying sound is largely rooted in blues/garage rock, while still drawing from numerous influences such as punk, funk, metal, R&B, psychedelic, indie rock and more. The duo translates their bold and daring experimentations into raw, high-octane live shows, promising an experience that is simultaneously unforgiving and undeniable.
6.30pm – 7pm
Sindo
Here’s what happens when two ambient soundscape nerds meet a bassist who is adamant about 70s funk and a drummer who couldn’t care less about what happens beyond the cymbals: a stir-fry of unexpanded energies coming from mundane 9-5ers with yet-to-be-realised musical ambitions, wok-tossed to rhythmic perfection.
Enter Sindo, a Singaporean psychedelic rock quartet consisting of guitarists Harith Mustaffa and Rudy Swandi, drummer Zairudy Zairunie and bassist Hilmi “Phil Mingo” Eddie, named after a building which houses a jamming studio in a printing shop.
7.15pm – 7.45pm
730BEDSIDE
It’s summer all year round with 730BEDSIDE: fusing elements of hip hop and indie rock, the band breaks away from the conventional limitations of genre, choosing instead to focus on the atmospheres that their music conjures. Proudly representing Woodlands, these north-siders are known for their groovy, infectious melodies that is guaranteed to get you moving.
This is a closed-door audition, schedule is subject to change.
About ticket registration
- Patrons are required to register for tickets to each day of the auditions. If you would like to attend both days of auditions, please register separately for each of the days.
- Each SISTIC account entitles you to register for only ONE (1) ticket per day. Sharing of ticket is strictly not allowed.
- Entry to the venue is based on first-come-first-served for ticket holders, and does not guarantee entry to the venue. Admission will stop once the venue reaches full capacity, and audience members will only be admitted on a one-out, one-in basis.
- If you exited the venue and would like to enter again, please queue up for re-entry.
Audience participation
- Please respect all parties that are present in the venue and refrain from language, actions and behaviour that may be disrespectful, hurtful or offensive to others.
- Baybeats reserves the right to remove disruptive individuals from the venue.
- Have fun and look out for one another—remember that we are all here for a common goal of supporting the bands on stage.
1. Do I need to get tickets to watch the bands audition?
All patrons will need to register for a ticket online via esplanade.com/baybeats. Each ticket allows the ticket holder multiple entries into the venue for the respective day. If you would like to attend both days of auditions, please register separately for each day.
2. I did not register for a ticket online. Can I still attend the auditions?
A limited number of tickets may be available at the entrance of the venue. Should they be available, patrons will be required to register for tickets onsite.
3. Can I bring children below the age of 6?
Due to the nature of the event, children below the age of 6 will not be allowed entry into the venue.
4. I am below the age of 16 but above 5 years old and I’m unable to register for a SISTIC account to get a ticket. Can I still watch the show?
Patrons aged between 6 and 15 may be allowed entry to the venue without registering for a ticket. Our ushers at the door will issue audiences in this age group a wristband for entry. All wristbands are non-transferable.
5. Why are the performances short?
This is the second round of auditions as part of the Baybeats Budding Band programme and not an actual full-length performance. As part of the auditions, the shortlisted bands will present up to three of their best songs in front of an audience as well as a team of mentors. Only a selected number of bands from the auditions will proceed to perform a full set at Baybeats, which takes place from 11 – 13 Oct 2024, Fri – Sun.
6. Can we stay throughout for all the auditions?
Yes, each ticket is valid for the respective day and audiences can stay on to watch all the bands auditioning for that respective day.
7. Is re-entry allowed for the auditions?
Re-entry is allowed on a first-come, first-served basis and dependent on the number of audience members in the venue at that moment. If you have exited the venue and would like to enter again, please keep your wristband or ticket, and queue up at the entrance of the venue for re-entry.
8. Why am I not allowed into the venue when I have a ticket?
The number of audience members in the venue is capped for everyone’s safety. Entry into the venue is based on first-come, first-served basis for ticket holders, and does not guarantee entry into the venue. Admission will stop once the venue reaches full capacity, and audience members will only be admitted on a one-out, one-in basis.
9. Why is registration required when the auditions are free?
As a safety precaution, the number of people in the venue cannot exceed its capacity limit. Hence, to help us keep track of the number of people admitted into the venue, audiences are required to register for their own tickets, which are strictly non-transferable.
The Baybeats Budding Bands mentorship programme is an artist development programme within Baybeats Festival that identifies independent Singapore bands with the potential to excel. It provides new bands the opportunity to gain insights, network and hone their craft through a mentorship programme with Singapore’s music veterans and an opportunity to present their music on an established platform.
At the end of the two-month mentorship programme, selected bands will have an opportunity to perform a 30-minute set at Baybeats 2024, presented by Esplanade – Theatres on the Bay. These bands will be profiled alongside other prominent local and overseas acts in Esplanade’s marketing channels as well as at Baybeats 2024. The programme aims to open up pathways for future opportunities for the selected bands, such as sponsorship, performances and a career in music. Bands will each receive an honorarium for their performance at Baybeats 2024.
Submission details
Applications open from 30 Apr 2024, Tue. As part of your application, you will be required to submit:
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Your most recent high-resolution band photo
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A demo of your original music
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Links to videos of past performances
Deadline for submission is 7 Jun 2024, Fri, 11.59pm. Applicants who have been shortlisted for auditions will be notified by 14 Jun 2024, Fri.
29 – 30 Jun: Audition 1
1 Jul – 2 Aug: Weekly mentor check-ins*
3 – 4 Aug: Audition 2
24 Aug: Budding Bands Session 1
31 Aug: Budding Bands Session 2
7 Sep: Budding Bands Session 3
28 Sep: Budding Bands Session 4
11 – 13 Oct: Baybeats 2024
*Bands are required to organise weekly mentor check-ins after making through Audition 1. This will include jam sessions.
Full attendance of all Baybeats Budding Bands Sessions and Baybeats 2024 is compulsory.
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Bands that have not previously performed at Baybeats.
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Band members that do not have any existing contract with any major music label or agency (to be evaluated and verified at Esplanade – Theatres on the Bay’s sole discretion).
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Bands that can perform a minimum set of 30 minutes at Baybeats 2024.
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Bands that can perform entirely original music, with most songs performed in English at Baybeats 2024.
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All band members reside in Singapore. There is no age limit.
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Note: Bands that have previously applied for past editions but have not been successful are welcome to submit applications.
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The band is expected to show up at least 30 mins before their allocated time and be ready to load in, set up and play at their appointed time. Being late will disqualify your band.
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Each band will undergo two rounds of auditions whereby they will be asked to perform up to two original works at the first audition, and up to three original works at the second audition. Each band will only have 15 mins onstage to set up, perform and strike.
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All auditioning bands are required to bring their own instruments, effects and cables unless otherwise stated.
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The band will be held liable should their actions result in any damages and/or loss of equipment and property provided.
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There is zero tolerance for the use of illegal drugs and substances/alcohol. Violation will result in immediate disqualification and the band will be escorted from the premise.
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The band must be decently dressed during the audition.
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The band must keep good conduct at all times throughout the event. Spitting, offensive/obscene behaviour, damaging of equipment or encouraging violent behaviour will result in instant disqualification.
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The band is responsible for making all necessary arrangements to be excused by their employers, schools or other relevant organisation/institution in anticipation of their participations in all Baybeats activities. An official reference letter can be furnished by Esplanade upon request.
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All band participants will be judged on the following criteria:
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Musicianship
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Band dynamics
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Composition
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Showmanship
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Overall impression
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The judges’ decision in all matters is final and no correspondence from then on will be entertained.
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Late or incomplete applications will not be considered.
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Applications are to be submitted using the provided platform. Should you submit more than one entry, only the latest one submitted before the entry closing date will be considered.
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Results of the applications will be posted on the Baybeats website and social media within three weeks after the open call closes. Only shortlisted bands with successful applications will receive an email notification of their scheduled audition timeslots, via their given email address.
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All music and vocals must be performed live.
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Use of vulgar, sexually explicit, sacrilegious or violent language and/or lyrics is prohibited.
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The band must only perform original English compositions during the audition(s).
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Selected bands should not have changes in their line-up from what they submit in their application form. Bands will be required to perform in Baybeats with the members whom they auditioned with.
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Bands must give at least 72 hours’ notice should they choose to withdraw from the auditions.
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All bands agree to have their names, voices, likenesses, sound materials and photographs used by Esplanade – Theatres on the Bay and sponsors for the purpose of publicity, broadcasting, advertising and or trade without further compensation or notice.
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The band agrees to participate in promotional activities, including but not limited to media interviews, promotional appearances and events arranged by Esplanade for publicity and promotional purposes for which no additional fees shall be paid to the band.
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The auditions will be filmed. Esplanade reserves the right to use footage for promotions and other non-commercial purposes.
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Esplanade reserves the right to amend the audition rules and guidelines without prior notice.
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Esplanade will not be held responsible should there be any loss or damage of the band’s personal equipment.
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By participating in this audition, the band agrees to abide by the rules and regulations, terms and conditions, and all decisions made by Esplanade.
The Baybeats Budding Photographers mentorship programme started in 2010 with the aim of sharpening the skills of promising young shutterbugs. Each year, amateur photographers are chosen to participate in a specially designed series of workshops and critique sessions with mentor and photographer, Aloysius Lim. Successful applicants will be part of the team that covers behind-the-scenes activities of Baybeats 2024 and provide social media support for the festival. Aspiring photographers are invited to apply according to their interest and expertise in the field.
Submission details
Applications open from 30 Apr 2024, Tue. As part of your application, you will be required to submit:
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A portfolio comprising five of your best photos
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A short write-up detailing how you would benefit from this mentorship programme
Deadline for submission is 7 Jun 2024, Fri, 11.59pm. Applicants who have been shortlisted will be notified by 14 Jun 2024, Fri.
24 Aug: Budding Photographers Session 1
2 Sep: Budding Photographers Session 2
9 Sep: Budding Photographers Session 3
16 Sep: Budding Photographers Session 4
30 Sep: Budding Photographers Session 5
10 Oct: Venue walkabout at Esplanade
11 – 13 Oct: Baybeats 2024
21 Oct: Budding Photographers Session 6
Full attendance of all Baybeats Budding Photographers sessions and Baybeats 2024 is compulsory.
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Aged 18–30 years old
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Have your own professional camera
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Passionate about music and photography
Aloysius Lim
Having honed his skills by shooting gigs in Singapore since 2003, Aloysius Lim has built an impressive portfolio photographing the tastemakers of today’s music scene, from the likes of Coldplay and Jason Mraz to The Police and Green Day. He has also captured unforgettable moments at renowned festivals like Laneway Festival, Timbre Rock & Roots, Rockaway Festival, Good Vibes Festival, Urbanscapes and Esplanade’s Baybeats. Aloysius has had several honourable mentions at the International Photo Awards (IPA). In recent years, he has worked closely with international musicians such as Celine Dion, Michael Learns To Rock and Westlife for their shows in Singapore.
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Application is open to all Singaporeans, PRs and foreign nationals residing in Singapore who are between 18 and 30 years old.
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Applications are to be submitted using the provided platform. Should you submit more than one entry, only the latest one submitted before the entry closing date will be considered.
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Late or incomplete applications will not be considered.
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The programme is open to amateur photographers only. No prior experience or training is required.
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All participants are required to bring and use their own digital camera and equipment for this programme.
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All participants must agree to have their photographs used by Esplanade – Theatres on the Bay for the purpose of publicity, broadcasting, advertising and/or trade without further compensation or notice, in relation to the programme.
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Selected participants are required to commit fully to the workshops and training sessions listed above and all the programmes at Baybeats 2024.
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Selected participants must agree that Esplanade may obtain, reproduce and broadcast images taken during festivals presented by Esplanade by any electronic, digital or other means, provided that these images are used solely for the purpose of promoting the artists, the said event, Esplanade – Theatres on the Bay or the arts in Singapore in general, which may include free screenings of such images in their entirety either at Esplanade – Theatres on the Bay or at any venue which TECL is using for the said promotion.
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Due credit will be given to photographers whose works are selected and used by Esplanade. There will be no monetary reward for the use of the images.
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Participants will agree to abide by the rules and regulations, terms and conditions, and all decisions made by Esplanade.
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Esplanade reserves the right to amend the rules and guidelines without prior notice.
The Baybeats Budding Writers mentorship programme has been running since 2014, building a community of writers to cover the growing local music scene in Singapore. Under the guidance and mentorship of Eddino Abdul Hadi and Hidzir Junaini, our budding writers will learn more about music journalism and on being a voice for the local music community. The successful applicants will be a part of the team that will cover behind-the-scenes activities of Baybeats 2024 and help to ideate and conceptualise social media content for the festival. Aspiring music writers and journalists are invited to apply according to their interest and expertise in the field of writing.
Submission details
Applications open from 30 Apr 2024, Tue. As part of your application, you will be required to submit:
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Your best work
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Journal entries
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Features or interview articles
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Any form of academic writing, reviews or critical work
Deadline for submission is 7 Jun 2024, Fri, 11.59pm. Applicants who have been shortlisted for an interview will be notified by 14 Jun 2024, Fri.
22 – 23 Jun and 29 – 30 Jun: Interviews*
24 Aug: Budding Writers Session 1
31 Aug: Budding Writers Session 2
14 Sep: Budding Writers Session 3
28 Sep: Budding Writers Session 4
10 Oct: Venue walkabout at Esplanade
11 – 13 Oct 2024: Baybeats 2024
19 Oct: Budding Writers Session 5
*All applicants will have to go through one round of interview as part of the selection process
Full attendance for all Baybeats Budding Writers sessions and Baybeats 2024 is compulsory.
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Aged 18 – 30 years old
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Passionate about music and writing
Eddino Abdul Hadi
A music correspondent for The Straits Times, Eddino Abdul Hadi has been writing about music for the newspaper since 2007. Prior to his job at the newspaper, he was one of the main writers for BigO, Singapore's only independent music magazine, from 1999 – 2003. Eddino has been a mentor of the Baybeats Budding Writers programme since 2014.
Hidzir Junaini
Hidzir Junaini is a freelance journalist in Singapore, currently covering film and television for publications such as NME Asia and Popwire. He has previously served as a writer and editor for various music and nightlife magazines such as MetroWize, inSing, JUICE Singapore, Bandwagon, MTV Asia, Straatosphere, and VICE, among others.
With over 15 years of professional experience (and a lifetime of nerdy obsessions) under his belt, Hidzir has established himself as one of the foremost pop culture pundits in the Southeast Asian region. Outside of his journalistic endeavours, he is also the co-founder and co-host of fantasy / science fiction podcast Genre Equality, alongside pro wrestling podcast Hard Hidz.
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Application is open to all Singaporeans, PRs and foreign nationals residing in Singapore who are between the 18 and 30 years old.
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Applications are to be submitted using the provided platform. Should you submit more than one entry, only the latest one submitted before the entry closing date will be considered.
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Late or incomplete applications will not be considered.
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The programme is open to amateur writers only. No prior experience or training is required.
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Selected participants are required to commit fully to the workshops, training sessions listed above and all the programmes at Baybeats 2024.
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Use of vulgar, sexually explicit, violent, or socially inappropriate language and/or content is strictly prohibited.
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All participants agree to have their written works, created during the course of this programme, used by Esplanade – Theatres on the Bay for the purpose of publicity, broadcasting, advertising and/or trade, in relation to the programme, without further compensation or notice.
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Participants agree to abide by the rules and regulations, terms and conditions, and all decisions made by Esplanade.
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Esplanade reserves the right to amend the rules and guidelines without prior notice.