The Huayi Brewery is a new incubation programme by Esplanade – Theatres on the Bay that aims to provide support for and cultivate deeper relationships with independent artists creating works in the Chinese language medium, or creating multilingual work that has an emphasis on the use of the Chinese language. It is our hope that this process-driven programme will provide a fertile environment for independent artists to develop their artistic practice through an open-ended framework of support.
We kickstart the inaugural edition with a curated invitation of two experienced theatre practitioners from Singapore: Alvin Chiam and Rei Poh.
Last can of luncheon meat
by Alvin Chiam
“The soul that sees beauty may sometimes walk alone.” – Johann Wolfgang von Goethe
A man,
a table,
a pack of instant noodles,
a can of luncheon meat,
a cassette tape recorder.
This is a journey of life, about reflection and forgiveness.
When the present meets the past, perhaps the future becomes clear.
The pandemic opened up time and space for solitude.
Since the beginning of time, I have unconsciously explored loneliness;
Only then did I realise that loneliness is ubiquitous, silently by our side since the day we were born…
When change hits us, perhaps there is grief, remorse, or emptiness…
Solitude will take us into her arms.
A quiet world as such—some remain vanquished, some are redeemed, while some may still be waiting.
THE CENTRE
by ATTEMPTS
The Centre is a space where memories of an event called The Arrest is constantly being played out, as if in a haunting. A voice is heard, a woman passes through a plastic curtain, what is done can never be undone. This recurring performance takes place in a small rehearsal hall with multiple rooms such as the storeroom, the pantry, and restrooms.
The leader of the Centre, Qiang, resides in a rehearsal room with fellow actors, leading them in a rehearsal of a controversial play. In that play, Qiang is tied up to a chair and strange figures question him, asking him to reconfirm his name again and again. Will he break or will he hang on?
Fluctuating between past and present in a fictional abandoned space, The Centre is provoking, experiential, playful and exciting, inviting players to relook and investigate notions of freedom, privacy and security. It is based on Tan Tarn How’s unpublished text, Acts (1992).