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Chia Wai Hon was a Singapore artist, art educator and art critic. He taught at the Teachers' Training College, LASALLE College of the Arts and the Ministry of Education, and served on the committees of the Shell Discovery Art Exhibition initiative and the Arts Resource Panel by the National Arts Council. Chia championed the importance of art to be included in the Singapore school curriculum and his writings have been collated in the book Bits and Pieces: Writings on Art (2002).
Born on 23 December 1927 in Singapore, Chia Wai Hon received his early education at Gan Eng Seng School and Raffles Institution before attending Teachers' Training College in 1951. After a three-year stint as a teacher, he went on to attain a National Diploma in Design and Painting from the Chelsea School of Art in London, UK and an Art Teacher’s Certificate from the University of London, UK, in 1959 and 1961 respectively before returning to Singapore. He later obtained a Master of Arts at the University of Michigan, US.
For Chia, his pursuit of art began after the end of World War II in 1945. He joined a small group of artists which included pioneer Singapore watercolourist Lim Cheng Hoe, school principal T. Y. Choy, Chew Cheng Toh and occasionally Dr Kwan Sai Kheong. They would head out on Sundays to paint at various locations around Singapore. The group's favourite locations were the Singapore River, the Malay kampongs in Bedok and Pasir Panjang, and Chinatown.
Like a few of his peers who had also received an art education overseas, Chia returned to Singapore with an interest in formal abstraction. In an interview for a series of talks that he gave in 1979, he said: "Art is not just taking nature onto a canvas. It is a search for the inner truth, a spiritual quality…You begin to be interested in shapes, textures, lines, not as a means to an end but as an end in itself. It can be just a feel for colours that triggers the creative urge in you." Whether in painting or drawing—a medium he favoured—his abstract works contained sensitive interactions of shapes, forms, colours and textures.
Chia's artistic practice extended into nude works in the late ’80s. Fellow artists S. Namasivayam and Sim Tong Khern began organising life sessions at the college, on Saturdays. The three artists Namasivayam, Sim and Chia led by Joseph McNally, founded Group 90, an informal arts group dedicated to the study and interpretation of the human nude form. The group went on to hold their first exhibition Figurama at the Nanyang Academy of Fine Arts gallery in 1991.
Besides his artistic practice, Chia also embarked on a significant career as an arts educator and critic when he returned from the UK. He started working as an art lecturer at the Teachers' Training College in 1961. He held this full-time position for 26 years, of which he served five years as head of the School of Curriculum Studies, and eight years as the head of the Art Education Department. He retired in 1987, but never stopped his involvement in art education completely, continuing to serve as a part-time lecturer and writer at the College, now named Institute of Education. He also went on to become a part-time lecturer at LASALLE College of the Arts and the Ministry of Education.
At the same time, Chia also became one of the early art critics in Singapore. He broadcasted art commentaries on Radio Singapore in the ’70s and wrote art reviews for newspapers in the ’80s, offering his views on both the arts and art education in Singapore. His art writings were extensive and covered the developments in the Singapore art scene through the decades, and Chia became one the island’s most notable art writers.
Throughout his career in art criticism and education, Chia's push for the placing of more importance on the subject of Art in Singapore's school curriculum was incessant. He believed that art had a supportive role and link with other subjects in the school curriculum, and that it was essential for the all-round development of a young student. He wrote regularly on the matter, and championed his case through talks and seminars. Chia's selected writings over a 40-year span were collated into a book, edited by art historian T. K. Sabapathy, entitled Bits and Pieces: Writings on Art (2002).
Chia also contributed his time to a number of committees and boards. He joined the Singapore Art Society in 1962, serving as its secretary for four years and exhibiting regularly at the society's annual exhibitions. He went on to become a committee member and judge of Shell Discovery Art Exhibition, an initiative in the ’80s to promote young artists. He also served as a member in the Advisory Committee for Public Sculpture by the Ministry of National Development and as a member of the Arts Resource Panel by the National Arts Council.
He passed away at the age of 95 on 23 January 2023.
Born in Kampong Bahru, Singapore.
Attended Gan Eng Seng School, Singapore.
Attended Raffles Institution, Singapore.
Attended Teachers' Training College, Singapore. Graduated with a Normal Certificate.
Trained teacher (Primary), Ministry of Education, Singapore.
Attended Chelsea School of Art, London, UK. Graduated with National Diploma in Design and Painting.
Attended University of London Institute of Education, UK. Graduated with Art Teacher's Certificate.
Art lecturer, Teachers' Training College, Singapore.
On a number of judging/ selection committees including National Exhibition, Singapore; Pictures for India Exhibition; and the Malaysia Art Exhibition.
Secretary, Singapore Art Society.
Participated in Singapore Art Society annual exhibition, Singapore.
On the selection committee for the South East Asia Cultural Festival Art Exhibition.
Head, Art Department, Teachers’ Training College, Singapore.
Participated in Singapore Teachers' Art exhibition, Singapore.
Head, Department of Art Education, Teachers' Training College, Singapore.
Participated in 25th Anniversary Artists' exhibition, Singapore.
Attended University of Michigan, Ann Arbor, US. Graduated with Master of Arts.
Head, School of Curriculum Studies, Institute of Education, Singapore.
Committee member, Singapore Post Stamp Design (now Stamp Advisory Committee).
Participated in United World College 5th Festival of the Arts exhibition, Singapore.
Participated in National Museum Art Gallery inaugural exhibition, Singapore.
Participated in Art 79 exhibition, National Museum Art Gallery, Singapore.
Presented paper Whither the Fine Arts, Singapore Towards the Year 2000 seminar, Singapore Science Centre.
Speaker, talks on art appreciation, People's Association, Singapore.
Singapore representative, 5th Festival of Asian Arts, Hong Kong.
Head, Art Education Department, National Institute of Education, Singapore.
Singapore Coin Advisory Committee.
Editor, Singapore Artists, co-published by Singapore Cultural Foundation and Federal Publications.
Exhibition – Resurgence: Art Exhibition by 4 Singapore Artists, Goethe Institut Singapore
Selection committee member and judge, Shell Discovery Art Exhibition, Singapore.
Participated in Singapore Teachers' Art exhibition.
Member, Advisory Committee for Public Sculpture, Ministry of National Development, Singapore.
Part-time lecturer, Institute of Education, Singapore.
Part-time writer, Curriculum Development, Institute of Education, Singapore. He wrote Art for Upper Secondary Part B and Teachers' Guide.
Member, Shell Discovery Art Exhibition Committee.
Singapore Art Museum Acquisition Committee.
Founding member, Group 90.
Participated in Singapore Art Fair exhibition.
On the board for Artists! Task force for creative services of the Economic Development Curatorial Committee. They organised Art in Asia – Singapore Art Fair ’93.
Participated in Figurama exhibition, Group 90, Singapore.
Participated in Singapore Art Society annual exhibition.
External examiner for graduating students of the Nanyang Academy of Fine Arts
External examiner, LaSalle – SIA College of the Arts.
Participated in The Figure In Art exhibition, Group 90, Singapore.
Participated in Singapore Teachers' Art exhibition.
Part-time lecturer, LASALLE College of the Arts.
Part-time lecturer on Art Education, Ministry of Education, Singapore.
On the board for Artists! Task force for creative services of the Economic Development Curatorial Committee. They organised Art in Asia – Singapore Art Fair ’93.
Participated in Art of the Nude exhibition, Group 90, Singapore.
Judge, Asian Art Biennale, Bangladesh.
Judge, Philip Morris Group of Companies, Singapore Art Awards.
Monograph on Singapore watercolourist Gog Sing Hooi (1933 – 1994), which was published by the President's Office and Singapore Watercolour Society.
Member, Arts Resource Panel, National Arts Council, Singapore.
Curator, Liu Kang at 87 art exhibition.
Involved in the National University of Singapore Acquisitions Committee for the South and Southeast Asian Art Collection.
Published See Cheen Tee: Artist Extraordinaire: Master Draughtsman, Printmaker, Painter, and Cartoonist.
Selected writings published as Bits and Pieces: Writings on Art, edited by T. K. Sabapathy.
Donated 17 of his art works to The National Art Gallery, Singapore.
Passed away at the age of 95.
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Chia Wai Hon (right) with water colourist Lim Cheng Hoe (left) at an exhibition in YMCA. 1951.
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Chia Wai Hon at the 6th Annual Art Exhibition of the YMCA Art Club, held at the British Council Hall. 1952.
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Famous Chinese-American watercolourist Dong Kingman giving a talk at the YMCA Art Club. 14 Jul 1954.
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Chia Wai Hon's print-making class in session at the Teachers' Training College campus. 28 Oct 1965.
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Artist of the Month preview with guest-of-honour Admad Mattar (centre), Teacher's Training College. 25 Oct 1972.
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Chia Wai Hon and his works-in-progress at the School of Art, University of Michigan, Ann Arbor. 14 Nov 1974.
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Chia Wai Hon and his completed works in the studio at the University of Michigan, Ann Arbor, School of Fine Arts. 1974.
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Chia Wai Hon in the studio of the Art School of the University of Michigan, Ann Arbor. Nov 1974.
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Chia Wai Hon (right) with his good friend, John Tan, who is a good potter and art lecturer. 7 Jun 1988.
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Chia Wai Hon at the 4th Meeting of the ASEAN Working Group on Visual and Performing Arts, Singapore. 1988.
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Chia Wai Hon (sixth from Group 90 Figurama Exhibition at Nanyang Academy of Fine Arts Gallery. 10 - 16 Mar 1991.
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Chia Wai Hon (second row, second from left) was part of the Shell Art Exhibition Advisory Committee.
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Chia Wai Hon receives a memento for 17 years of volunteer service from Lee Yock Suan, Minister of Information and the Arts, at the 1999 MITA Investiture Ceremony. 27 Nov 1999.
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Rebirth. Acrylic and printing ink on mounting board. 1986. From the collection of Lim Kok Keong.
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Serenade. Styrofoam, found object and acrylic on hardboard. Resurgence exhibition. Feb 1988.
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Floppy Discs. 46.3 x 55.5 cms. Paper, styrofoam, discs, and acrylic on hardboard. Resurgence exhibition. June 1988. From The National Art Gallery.
TributeSG celebrates the arts community’s most senior members, and those who have made a lifetime of contribution to the arts. These artists, administrators, educators, patrons, and champions include many Singapore arts pioneers who laid the foundations of the vibrant arts and cultural scene we enjoy today. The many profiles in TributeSG let us into the minds and worlds of these pioneers, and help us understand our shared arts heritage. When we revisit their works and rediscover their journeys, we learn where we came from and how we came to be. Collectively, their stories tell the tale of the making of a nation’s artistic identity.
In putting together this collection, the TributeSG team consulted an external advisory panel, consisting of Arun Mahiznan, Choo Thiam Siew, J. P. Nathan, K. K. Seet, Kwok Kian Chow, and Iskandar Ismail. Those selected to be profiled in TributeSG met one of the following criteria: they were at least 60 years of age as of 12 Oct 2016, or deceased, or had received national recognition in the form of the Cultural Medallion. This journey of arts archival officially came to a close on 12 Oct 2016, after four years of extensive research, interviews and collation of information graciously provided by the TributeSG pioneers, their families and peers. TributeSG also benefited from enthusiastic help from like-minded friends and organisations who supported Esplanade’s cause—to remember, honour and celebrate Singapore’s arts pioneers.